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iceandfire explores human rights stories through performance.

High quality production is supported by innovative education, outreach and participation.

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Participation

Souvenirs

What happened to me, the marks on my body, the memories, they are going to be my souvenirs.- Tracy (Write to Life group)

ice&fire is collaborating with Tamasha  and Write to Life (a Freedom from Torture project established by ice&fire’s founder Sonja Linden), the longest-running writing group for torture survivors in the world.

Forthcoming performances

June 20 @ 6.30pm at Freedom from Torture, 111 Isledon Road, N7 7JW. For more info click here or please ring Judy Lloyd on 020 7428 6477.

Jun 23 @ 6.30pm as part of ‘Celebrating Sanctuary’ at the Rich Mix. FREE event. For more info click here

Listen to extracts from the script and interviews with the participants here

 

Below some productions shot by Helen Warner. To see the full album click here

After some members of the group started to read their work publicly, they expressed a collective desire to present some of their experiences to a wider public.

The 20 minute piece, Souvenirs, was written by ice&fire’s Artistic Director Christine Bacon, following some workshops, discussions and in-depth interviews with the participants. Directed by Tamasha’s Artistic Director Kristine Landon-Smith, it will be performed by the participants.

The process of the making of the piece will be documented throughout and a short film will be made and disseminated at the end of the process.

See the blog on The Independent here

For more info on the show click here

Past performances

April 11 (evening show) and 13 (matinee) – Jacksons Lane, London. Following performances of Tamasha’s show The Arrival.

On March 5 2013, the performance was at Bath Literature Festival.

 

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Everyone Has the Right

EHTR_flyer_front

Everyone Has the Right is a scheme supported by Amnesty International UK and encourages writers exploring human rights stories to create compelling and thought-provoking theatre.

We look for plays that are surprising, timely, entertaining and powerful. We seek out unique voices and new talent – writers who are not afraid to tackle the big questions.

Jan Goodman in ‘One Hour Eighteen Minutes’

“Truth in drama is forever elusive. You never quite find it but the search for it is compulsive. The search is clearly what drives the endeavour. The search is your task.”

Harold Pinter, Nobel Prize for Literature acceptance speech, 2005

OUR NEW SCRIPT POLICY

To be included in this scheme, plays must examine human rights issues as a central and deliberate theme.  We therefore are unlikely to consider plays, for example, that deal with issues of personal freedoms without placing them in a wider political and social context, or where the responsibility for the oppression does not lie with the state or related powers.

In our experience, plays that have not been written with an express mission to explore human rights will not be appropriate for this scheme.

See more about what makes a human rights story here

Read about the history of the scheme here

If the play meets the Everyone Has the Right criteria, and if a member of the ice&fire script-reading team feel it is a play that has the potential to be a successful and dynamic production, the writer will receive feedback in terms of plot, dialogue, characterisation and its overall effectiveness as a piece of theatre.

 David Mildon in ‘One Hour Eighteen Minutes’

Constructive, to the point, thorough, and above all encouraging and inspiring: many thanks, indeed.’

 Response from a writer to our feedback

WHAT HAPPENS NEXT

Some of the writers receiving feedback will be invited to work with ice&fire to develop their plays towards production, receiving one-to-one dramaturgical support and facilitated script workshops with other writers in the scheme.

Previously, the best plays have received professional rehearsed readings at a partner theatre, or at Amnesty International UK’s central London Human Rights Action Centre. Many of these plays have then been picked up for professional productions at some of London’s most prestigious venues.

I submitted my play S-27 to the Everyone Has the Right because it seemed like an appropriate scheme to enter because of iceandfire’s reputation and the link to Amnesty. Being selected has completely changed my life. As a writer, it validated what I was trying to explore artistically and politically in my work at the time.  In terms of my career, it established me as an up and coming writer, both in the UK and internationally. I was taken on by an agent as a result of winning the competition. At the reading I was approached by the director Steve Keyworth, who then directed the play at the Finborough in 2009. The play was produced in Australia in 2010, as a result of connections established through iceandfire. The play is going to have a production in Toronto in 2012. I feel that the award and its association with Amnesty has been particularly helpful in promoting the play internationally.- Sarah Grochala, Playwright

SUBMISSIONS

Our new guidelines above have been refined to reflect our experience of running the scheme since 2006. Please consider carefully whether your script is likely to meet our new criteria.

If so, we accept completed plays, in English, written for the stage, which have not been professionally produced in the UK. Plays can be of any length and for any age group. Manuscripts must be sent to us by post. There is no deadline for submission.

Please send:

  • Your script
  • A short synopsis (200-300 words) along with a short paragraph about how you think your play engages with a human rights theme
  • Completed cover sheet (Download as Word Doc or as PDF file)
  • To: Everyone Has the Right, ice&fire, Toynbee Hall, 28 Commercial Street, London E1 6LS.
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Separated

Separated

Separated

iceandfire’s first play for young people is being used by Fostering Agencies as part of an innovative training package for those caring for unaccompanied minors.

“I thought that the performance and the workshop was spectacular! I think that workshops like these are a far more productive way of ‘learning’ for carers and social workers.”

Terri Verier, Senior Social Work Practitioner, NCH

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Previous Participation Projects

Protect the Human 2008

Protect the Human 2008

Including our playwriting competition with Amnesty International, Protect the Human, a Darfuri house installation at the V&A Museum of Childhood and a video project with Addaction UK.

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Upcoming Events

June 2013
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